During our trip to Berlin I was able to see some of Goldin’s work up close. When first glanced these images seemed to hold a 3D quality which instantly drew you in. These images were lit from behind and shown in a dark area, this technique seems to inject the photograph with a sense of life, somehow making the moment captured become more than a flat photograph but rather that, an intense moment frozen in time. The lighting also allowed the vivid or gloomy colours to intensify.
Goldin’s work instantly reminds me of one of my favourite musicals, RENT, which tells the story of impoverished young artists and musicians struggling to survive in a bohemian New York. Clouded by HIVE/AIDS and substance abuse they take art as their outlet. Its this concept of a Generation X which interests me (a theme used by one of my favourite artists David Hancock) the idea of a rebellious culture, for example, the mods, punks and bohemians. What strengthens this musicals is the real life experience from the creator Jonathan Larson, this is also apparent in Goldin’s work.
This is the reason I feel Goldin’s work fits in to my own. Slightly moving away from my initial statement talking about the use of information in a quite serious manor I’m now starting to look at the information in a personal manor and how we as individuals say what we want to say, through the use of statues, tweets and photographs on social networking sights. The photographs that appear on each individuals Facebook profile are their own personal series of autobiographical works.
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